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Artists in the still-young Federal Republic of Germany were quick to adopt Pop art shortly after its emergence in Britain and America in the 1960s. In contrast to the often sensationalist and glamorous vocabulary of their Anglo-American peers, artists such as Thomas Bayrle, Christa Dichgans, Konrad Klapheck, Ferdinand Kriwet, Uwe Lausen, Sigmar Polke and Gerhard Richter grappled with the banalities of everyday life in capitalist West Germany. German Pop reconstructs the four crucial centers of Pop art in Germany in the 1960s and early 1970s: Düsseldorf, Berlin, Munich and Frankfurt am Main. The catalogue brings together nearly 140 works of art and documentary materials by artists both established and lesser known.

Reprint! 8°. Getrennte Zählung [zusammen 689 Seiten], zahlreiche Diagramme, Illustrationen. OKunststoffband. Ein sauberes Exemplar! (Tschaturanga. 59)

Cloisonné: where wire and glass conjoin to form fascinating masterpieces. The opening of Japan in the mid-nineteenth century marked the beginning of the "Golden Age" of Japanese cloisonné art. The collection was built up over decades and donated to the Museum Angewandte Kunst, Frankfurt. It provides an encyclopedic overview of this fascinating artform. The richly illustrated catalog presents numerous works, complemented by scholarly essays.

694 Seiten Originalverschweisst V1 Sprache: Deutsch Gewicht in Gramm: 750 0,0 X 0,0 X 0,0 Cm, Gebundene Ausgabe

This work was commissioned by Ensemble Modern. It was composed in 2003 and first performed on 26 March 2004 at Alte Oper, Frankfurt,Germany by Ense...

Theodor W. Adorno (1903-1969) was the leading philosopher of the first generation of the Frankfurt School and is best known for his contributions to aesthetics and social theory. In this highly original contribution to the literature on Adorno, J.M. Bernstein offers the first attempt in any language to provide an account of the ethical theory latent in Adorno's writings. This book will be widely acknowledged as the standard work on Adorno's ethics and will interest professionals and students of philosophy, political theory, sociology, history of ideas, art history and music.

Rear cover notes: "This book presents a radical architecture, exemplified by the recent work of seven architects. Illustrated are projects for Santa Monica, Berlin, Rotterdam, Frankfurt, Hong Kong, Paris, Hamburg, and Vienna, by Frank O. Gehry, Daniel Libeskind, Rem Koolhaas, Peter Eisenman, Zaha M. Hadid, Bernard Tschumi, and the firm of Coop Himmelblau. 104 pages, 153 illustrations."

Theodor W. Adorno (1903-1969) was the leading philosopher of the first generation of the Frankfurt School and is best known for his contributions to aesthetics and social theory. In this highly original contribution to the literature on Adorno, J.M. Bernstein offers the first attempt in any language to provide an account of the ethical theory latent in Adorno's writings. This book will be widely acknowledged as the standard work on Adorno's ethics and will interest professionals and students of philosophy, political theory, sociology, history of ideas, art history and music.

Wolfgang Bonß lehrt Soziologie an der Universität der Bundeswehr München. Dr. Axel Honneth ist Professor an der Johann Wolfgang Goethe-Universität Frankfurt a.M. und Leiter des Instituts für Sozialforschung. Kritische Theorie Sozialforschung ISBN-10 3-518-28000-7 / 3518280007 ISBN-13 978-3-518-28000-3 / 9783518280003 Sozialforschung als Kritik Zum sozialwissenschaftlichen Potential der Kritischen Theorie von Wolfgang Bonß (Herausgeber), Axel Honneth (Herausgeber) In deutscher Sprache. 517 pages. 17,6 x 10,6 x 2,6 cm

7 Teile in 1 Bd. (422 S. in getr. Zählung). Br. Nd. d. Ausg. Frankfurt a.M. 1873-76.